Number 23 hit song on my birthday

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I don't want it to feel like a disrespectful thing, but I know it's a bridge that I'm going to have to cross as far as becoming my own person. It showcased Drake's bars as well as his smooth vocals, plus his ability to easily flow between the two styles — and the high-power collaboration put him on plenty of rap fans' radars, before he even released a studio album. Following the success of "Best I Ever Had" and his massive record deal, "Thank Me Later" became one of the most highly anticipated albums of So I'm just kind of trying to keep things at the pace they're moving at now.

For the inagural festival — what would soon become a Toronto summer staple — Drake pulled out all the stops, performing a minute set and welcoming guests like Eminem and Jay-Z. Among other triumphs, "Take Care" features the fan-favorite song "Marvin's Room," as well as a Rihanna feature on its titular track. It's a moody, atmospheric record — that was panned by some rap fans as being too emotional.

It's real to me, and a lot of other people apparently.

The complete timeline of Drake's life and rise to stardom - Insider

That's all I have to say about that," Drake told Complex in response to the criticism. That's life to me. That's what real is to me. At 25 years old, Drake announced that he had officially graduated high school, describing it as "o ne of the greatest feelings in my entire life. It's not ' Versace ,' it's not ' Started from the Bottom. It was widely praised by critics and debuted at No. I'm enjoying it right now. The track mixtape quickly went platinum — even before Drake proceeded to drop a collaborative mixtape with Future, "What a Time to Be Alive," in September.

The latter was also certified platinum later on. The music video for "Hotline Bling," Drake's most popular visual effort ever , embraced retro monochromatic color schemes and the rapper's own dad-like dance moves. The dancehall-infused single "One Dance" became Drake's first number-one single as a lead artist in the US on top of rocketing to the top spot in 10 other countries.

Drake dropped his fourth studio album "Views" later that month. Despite its release as an Apple Music and iTunes exclusive, the album amassed almost million streams in its first week without Spotify listeners. Once again, the media praised Drake's "natural comedic ability" during his second stint as "SNL" host — with most people in agreement that the spoof of his style and sensitivity was a highlight of the night.

THR reported that Apple has even given Drake " the go-ahead to produce whatever he chooses But I do plan on expanding — to take six months or a year to myself and do some great films. Music's always there. At the time, a rep for Drake denied the claim but noted, "if it is in fact Drake's child, which he does not believe, he would do the right thing by the child. Drake later confirmed that he had a son on his album "Scorpion. In the song, Pusha T revealed that Drake is hiding a son he had with a "porn star" and accused him of being a "deadbeat" dad.

Drake never responded with his own diss track, which led many fans to declare Pusha T the winner. That was my life. Mine was because I moved to a different neighborhood, rougher than the one I came from. Yeah, but I never believed that. I used to say I was going to be a normal story of the ghetto.

Was school easy for you? Pretty easy. Even if I ran the hallways, I would still be fairly good. Later on, when I really stopped trying, I was put in disciplinary schools. It was like a jail. You get strip-searched before you go in, fingerprinted every day. One day I just climbed over the gate and left. It was a public school organized like a jail?

In other words, it was early conditioning for what everybody assumed your future was going to be. When I finally went to jail, I already knew everybody. Everybody I went to school with was in the jail. What were you put in that school for? Fighting and acting up. I said in one of my raps, I was acting up in school because I thought it was cool, but really I was hurt. What type of motivation do you get if your mom is on drugs? Your self-esteem is automatically just low. Some people have the determination to shoot to the top. I always say anger is an easier emotion to deal with than pain.

They hurt, they torn, they scarred. Michelle Alexander. I went to public school. The books were falling apart. They probably still got the same books from when I was in school. I read a lot as a child, mostly because I was grounded all the time. Then we had a black-studies course in high school, and I became obsessed with black history because it felt like, for the first time, the world made sense. You would see your community and how people lived, and they would tell you we just did not want better.

But I could see how hard people worked, and they still could not get ahead. Studying history calmed me. The most I ever read was in prison. Reading made me process the system. Because I am already a conspiracy theorist. People locked in the basement for 23 hours a day, being beat by the officers. Yes, the 13th. So you were first arrested — for the original charge — at 19?

My first arrest was actually going to school. In sixth or seventh grade. I got caught and went to jail for trespassing. My mom had to come get me. Selling crack. When I got back, I had to get back in the street and start really selling weed to get me a lawyer, because everyone who had a public defender got crucified.

My mug shot has my face swollen, both sides of my face beat up. You know how his hand got fractured? Yeah, punching you. He charged me for him punching my face. They said I pointed a gun at them. That always stuck with me. But if you were on probation and began smoking weed? I barely sleep from so much trauma. Sometimes you just want to smoke and go to sleep. This is your dad right here. My mom was a probation officer. In a place with no public transit, they would drive to work and get violated. That makes no sense. If you gave me three months, that is not lenient.

In prison, you were and-1, right? Isolated all but one hour a day? Nobody can.

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I kept blacking out in the middle of the day — not passing out, but like falling asleep. Twenty-three and a half hours a day. Come out to take a shower, back to your cell. When did you realize that you had a platform, and that you should use it to advocate for more than yourself? When I saw the support people gave me.


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He keeps going to jail. I caught one case at the age of I am I have never been back to prison for a crime. Basically all billionaires except me. Robert Kraft saw me in prison, and he was like, How are you still smiling? He was like, If that was me, I would be depressed, mad, angry. Yeah, but that comes from my environment.

So how do you deal with the trauma? I just override it. Rapping is one of my therapies. The saddest thing I can think about is Lil Snupe, an artist I had signed, got killed at 18 by a grown man. That bothered me a lot for two years, but I suppressed it and never really addressed it. Then one day, I started realizing that had damaged me, and I thought about it a lot. Do you actually think Reform Alliance can change the system? That will be a big win for a lot of kids who will enter the system and probably would have gotten 10 to Hell, yeah. I got a mean team with me.

How many people does it take to write a No. Aubrey Graham, a. Drake, is the first voice we hear, though his verse will be abruptly cut off.

Number one songs on my birthday, September 23rd

Just wait till it drops. In , the Swiss producer Ozan Yildirim, a. Oz, was given an email address that supposedly belonged to Travis Scott. Keep sending. Oz got help with a synthesizer sound from his friend Mirsad Dervic, a. M-Dee, an appliance salesman who makes music on his days off. Oz also used a sound from a pack of samples created by the German producing duo Tim and Kevin Gomringer, a. Things telescope from there …. Kid Hood. Big Hawk, who was killed in The beat grinds to a halt with a series of distorted kick drums before moving to its final section.

He was producing for local M. Music crew, of which Young is a member.

Number 1 Songs for 1961

Young helped Scott in crafting lyrics. Jonah Weiner is a contributing writer for the magazine. His last feature for the magazine was about the director Adam McKay. Tay Keith: Zach Boisjoly. Mirsad Dervic by Ozan Yildirim. I was under pretty deep. I, at least, assumed that Ally would turn into somebody like Brandi Carlile, a songwriter whose singing regularly reaches the stratosphere but who we can tell is grounded and real because she holds a guitar the way, for some of us, a lawyer holds a degree from Yale — and because Thanks, craft-neutral manager!

But these women are grilling that cheese. Why did you do that — do that, do that, do that, do that — to ME? But I watched Ally perform it with my hand to my mouth. This song is confection and sex and feel-copping. Jackson thinks so. As much as I wanted to save this sexy, damaged, doomed man, on this, we disagree. It is a staple of singalongs, the sort of song that gets belted out by groups gathered at marshmallow roasts and swimming pools. Its recent history is clearer. In November , Pinkfong, a South Korean educational brand, released a hopped-up rendition with an accompanying animated video.

It was this clip that inspired the hashtag BabySharkChallenge, instigating a viral craze that has racked up more than two billion YouTube views and spawned unnumbered spinoffs starring everyone from Indonesian farmworkers to Filipino marines to Cardi B to, undoubtedly, your friends, your family, your baby trussed in a shark costume. Jody Rosen is a contributing writer for the magazine and the author of a forthcoming book about bicycles. The video opens with the Carters dressed in gorgeous suits hers a Peter Pilotto in pink and red; his, sea-foam green Dries Van Noten standing — alone — in front of the Mona Lisa at the Louvre.

Whose history belongs in our museums?


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  • The video and song meditate on this question. The history of black people has too often been presented as little more than a curiosity. During the 16th century, Africans were exhibited in the Vatican, and in a young Congolese man called Ota Benga was forcibly kept at the Bronx Zoo. Even now, landmark museums like the Louvre tend to exhibit artwork that depicts Africans and their descendants as household servants and domestic workers.

    One great complexity regarding the couple is their overt embrace of capitalism. Are they disrupting the status quo or reinforcing it? But just beneath all that spending seethes an abject rage. Love is hard, unflattering work that sometimes requires setting aside ego and reputation. What would a world created entirely by and for black people look like? They are asserting that they belong. Are we even sure that the genre ever happened?

    Pop punk married punk power chords with the singable hook of a radio hit. The aesthetic was embarrassing, even in its time — circuses, graveyards, men in eyeliner. Want to fantasize about murdering your ex? For a brief, fun lapse in those dubious years, such thoughts were best expressed in a high, clear whine, interspersed with bouts of indiscriminate screaming.

    To me, at 14, it was more than visceral, a soundtrack for a time of hormonal disarray. Like most rappers of this latest generation, these influences evolved in a post-streaming world, where albums existed as free-floating tracks, somewhat detached from imposed genre labels. Rap music turns on its habit-forming beats, and pop punk thrives on earwormish hooks. Accounting for the keen melodrama of both genres, it makes perfect sense that a hybridized form would triumph in this new streaming ecosystem. Juice WRLD is not the first or only artist to work in the emo-rap subgenre.

    The troubles of this music scene have been well covered; in brief, they reflect the real perils of our time — gun violence, a crisis of masculinity, dual drug and mental-health epidemics. If the pop-punk songs of decades past were grandiose enough to be written off as camp, then the latest wave of emo-rap seems somehow right-sized for the terrors of our moment. Jamie Lauren Keiles is a writer in Queens working on a novel about smoking. A couple of weeks before she would step onstage to accept the Grammy for Album of the Year, Kacey Musgraves was under the covers in the bedroom at the back of her tour bus, pondering the nature of the universe.

    She had a little unexpected time on her hands. A show in Chicago had been canceled, thanks to the polar freeze that had descended over the Midwest, leaving her stuck in the middle of a vast tundra with a buildup of tour adrenaline and nowhere to put it. Later, she would stand in a diaphanous scarlet Valentino dress at the Grammys, giving a speech that could, given her tone and reputation, be read as subtly anti-authoritarian. Not so much.

    And very responsibly! Enough to be able to get outside of yourself and see a different perspective or point of view. What makes Musgraves such a resonant figure right now, in fact, is the way her response to a dark, anxious moment in human history is to move willfully closer to lightness, to stillness, toward the possibility of a world that comes in more colors than red or blue.

    When she talks about art thriving in this climate, she means it — just not in the same sense as, say, angry punks railing against the Reagan administration. What she means is that right now, the best rebellion involves turning off the hate and making space for hope. I missed her in Chicago, where everyone was trapped inside, the streets vacant apart from the odd extreme-weather junkie taking photographs of ice floes.

    I had indeed seen her Instagramming this kind of mysterious, late-night Discovery Channel-type stuff — the sort of thing teenagers once saw at the IMAX theater on a field trip after getting stoned. How did she get into it? And yet even in her early years, when Musgraves looked more the part of your average Nashville aspirant, in cowboy boots and blond highlights, there was always a kind of poise, an innate regality that set her apart. This, perhaps, is the other side of her East Texas grit — the one that manifests less as yee-haw joy and more as D.

    Musgraves grew up in Golden, Tex. She would make it happen on her own terms.

    Number One Song 1965

    And not in a baller way — like very small-business, check-to-check kind of a thing. But they made all their own decisions. Growing up, she had a Spice Girls poster in her room — Ginger, with her wild tattoo, made a strong impression — and listened to emo rock bands like the Used and Dashboard Confessional. There was, of course, the requisite period in which a teenage Musgraves turned her back on the whole cowgirl thing.